Select project

Selected Works

  • Planet Symbiotica

    Exhibition view: 180 ASSEMBLY, Zürich, Planet Symbiotica, 2022

  • Seidenmutter

    Exhibition view: 180 ASSEMBLY, Zürich, Seidenmutter, Symbiotic Being 1, 2022

  • Symbioticbeing2

    Exhibition view: 180 ASSEMBLY, Symbiotic Being 2, 2022

  • Totem 001

    TOTEMETOT (2022): Wood, Fure, Stones, clothes, plastic chains, satin, cables, linen, 250 x 260 cm

  • stitches1

    Exhibition view: Stitches. Home as Composition, Krone Couronne, Biel/Bienne, #amazing sunset 1-9, embroidery on stramin (2021-22) ©Nicolas Delaroche Studio

  • Escape 2

    Exhibition view: Escape into Fantasy (2022), Fem-Net.Art, Zürich

  • Detail F2
  • FLUIDITY 2

    Fluidity 2 (2021): Woodcut and watercolor on oil painting, 120 x 182 cm

  • FLUIDITY 3, FLUIDITY 4, FLUIDITY 5

    Fluidity 3 / 4 / 5 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm / 170 x 110 cm

  • FLUIDITY 1

    Fluidity 1 (2021): Woodcut and watercolor on oil painting, 120 x 190 cm

  • Fluidity 5

    Fluidity 4 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm

  • Wolken2

    Wolke 1 / 2 (2021): Mixed media, 150 x 190 cm / 190 x 150 cm

  • beige

    Someone I will know one day (2021): Packaging material, carpet, rusty pipes, floor paint on canvas

  • Interim2

    Twenty layers white and black, alternating 1 (2021): Gesso, Indian ink on canvas

  • Phythia

    Pythia & Penelope (2020) (linke Seite Nathalie Diserens, rechte Seite Esther Haldemann)

  • Stab
  • Akkord aufgeräumt 1
  • Akkord ganz

    Installation view: Akkord, (2020), PAPERWORK / Zürich Manegg

  • Guttatim 2nd edition

    Wiedereröffnung KÖRPER.BADEN.FLOW, Bad im Raben, Baden. New edition of GUTTATIM (2020)

  • blauervorhang

    BLACK & BLUE (2019): Stitched cotton on stramin

  • Treppenhaus_2

    DISSOLVED 1+2 (2018/2019): Wool on jute, acryl

  • Papst

    Installation view: ANCESTOR (2019), JULIA, Zitrone Manegg

  • 10 sec drawings

    10 Second Drawings, chinese ink on loktapaper, 3 x 3 m (2019)

  • House on a Rock

    HOUSE ON A ROCK 1 (2018): Stitched cotton on stramin

  • Exoplanets

    PLANET SURFACE (2016): Concrete, pigments

Paintings

  • Isles
  • Trickster2

    DOUBLING OF THE TRICKSTER (2021): Oil and pastels on linen, 120 x 170 cm

  • Trickster Zeugung

    PROCREATION OF THE TRICKSTER (2021): Oil and pastels on linen, 120 x 170 cm

  • Exotica:Mexico

    EXOTICA: MEXICO (2021): Oil on canvas, 190 x 150 cm

  • Archiv 1

    ARCHIVE I (2021): Oil on canvas, 70 x 40 cm

  • Archive 2

    ARCHIVE II (2021): Oil on canvas, 70 x 40 cm

  • Archive 3

    ARCHIVE III (2021): Oil on canvas, 70 x 40 cm

  • Archive 4

    ARCHIVE IIII (2021): Oil on canvas, 50 x 40 cm

  • Archive V

    ARCHIVE V (2021): Oil on canvas, 70 x 40 cm

  • The three of us

    THE THREE OF US (2020): Oil on canvas, 150 x 190 cm

  • View to the West

    VIEW TO THE WEST (2020): Oil on canvas, 150 x 190 cm

  • Catching

    CATCHING (2020): Oil on canvas, 150 x190 cm

  • Embryo

    EMBRYO (2020): Oil on canvas, 190 x 150 cm

  • rosablaugrün

    CARRYING (2019): Oil on canvas, 190 x 150 cm

  • The Absence of the Wild

    THE ABSENCE OF THE WILD (2018): Oil on canvas, 190 x 150 cm

  • Black Stone

    BLACK STONE (2016): Oil on canvas, 150 x 190 cm

  • Steppe

    STEPPE (2016): Oil on canvas, 150 x 190 cm

  • Circular Stair

    CIRCULAR STAIRS (2016): Oil on canvas, 150 x 190 cm

  • Sevenfatyears

    SEVEN FAT YEARS (2016): Oil on canvas, 110 x 200 cm

  • Sevenfatandleanyears

    Seven Lean Years / Seven Fat Years (2016): Oil on canvas, 200 x 110 cm

Drawings

  • 3.2.2022
  • 2.2.2022_2
  • 2.2.2022_1
  • 1.2.2022_2
  • 1.2.2022_1
  • 31.1.2022
  • 25.1.2022_3
  • 25.1.2022_2
  • 25.1.2022_1
  • 22.2.2022_4
  • 22.2.2022_3
  • 22.2.2022_2
  • 22.1.2022_1
  • 19.1.2022_3
  • 19.1.2022_2
  • 19.1.2022_1

Floorprints

  • Floorprints_2
  • Floorprints3

    Installation view: Softening the Margin (2016): Chinese ink on paper

  • floorprints

    Installation view: (2016): Chinese ink on Installation view: Softening the Margin (2016): Chinese ink on paper