Exhibition view: DEVALUATION MYTH (2024),Goldrausch, Zürich

DER HÄUSLICHE BEREICH (2024): Mixed media, 190 x 150 cm

SCHÖNE ABGRENZUNG (2024): Paper, oil color, Acrystal, clothes rack, paper, chinese ink Variabel dimensions

UNTERDRÜCKUNG (2021): Plant cover, embroidery, paper, chinese ink

RETTUNG DES ZEUS (2024) / GAIA, URANOS, TITANEN (2024): Charcoal, oil color, paper, 72 x 102 cm

BRÜCKENPFEILER 2024: Charcoal and oil colour on paper, 102 x 72 cm

ERKLÄRUNGSVERSUCH (2024): Pastels and oil on canvas, diptichon 400 x 130 cm

UNWICHTIGES RIESELT DURCH DIE ZEIT (Nora Dubach) (2024): Oil on canvas, 60 x 40 cm

AUF GLEISSENDES LICHT TROPFT DUNKELHEIT (Nora Dubach) (2024): Oil on canvas, 60 x 40 cm

GARTENHAUS (2024): Oil on canvas, 20 x 25 cm

LIEBESBAUM (2024): Oil on canvas, 20 x 25 cm

VERGANGENHEIT, GEGENWART, ZUKUNFT UND ZURÜCK (2023): Oil on canvas, 20 x 25 cm

TIERMENSCHENPFLANZE (2023): Oil on canvas, 20 x 25 cm

HAUS DER HÄNDE (2023): Oil on canvas, 20 x 25 cm

ZERTEILT UND VERWANDELT (2023): Oil on canvas, 20 x 25 cm

SUBLIME FUCKED UP FUTURISM (2023): Oil on canvas, 100 x 170 cm

RISE AND FALL (2022): Embroidery, paper, oil on canvas, 150 x 190 cm

PROCREATION OF THE TRICKSTER (2021): Oil and pastels on canvas, 120 x 170 cm

DOUBLING OF THE TRICKSTER (2021): Oil and pastels on canvas, 120 x 170 cm

YELLOW MONSTER (2022): Oil on canvas, 30 x 40 cm

TWO TREES AND THTEE SPRINGS (2022): Oil on canvas, 30 x 40 cm

A SPRING AND SUCCULENTS (2022): Oil on canvas, 30 x 40 cm

MEXICO WITH GHOST TREES (2021): Oil on canvas, 190 x 150 cm

ARCHIVE I (2021): Oil on canvas, 70 x 40 cm

ARCHIVE II (2021): Oil on canvas, 70 x 40 cm

ARCHIVE III (2021): Oil on canvas, 70 x 40 cm

ARCHIVE IV (2021): Oil on canvas, 50 x 40 cm

ARCHIVE V (2021): Oil on canvas, 70 x 40 cm

VIEW TO THE WEST (2020): Oil on canvas, 150 x 190 cm

CATCHING (2020): Oil on canvas, 150 x190 cm

EMBRYO (2020): Oil on canvas, 190 x 150 cm

CARRYING (2019): Oil on canvas, 190 x 150 cm

THE ABSENCE OF THE WILD (2018): Oil on canvas, 190 x 150 cm

BETONPFLANZEN (2015): Oil on canvas, 100 x 160 cm

SEVEN FAT YEARS (2016): Oil on canvas, 110 x 200 cm

PERU POOL (2014): Oil on wood, 110 x 170 cm

DICHTE BESCHREIBUNG 1/2/3 (2023): Woodcut and Watercolour on oil painting, 72 x 102 cm

Detail DICHTE BESCHREIBUNG

Detail DICHTE BESCHREIBUNG

DICHTE BESCHREIBUNG 4 (2023): Woodcut and Watercolour on oil painting, 72 x 102 cm

FLUIDITY 1 (2021): Woodcut and watercolor on oil painting, 120 x 190 cm

FLUIDITY 4 / 3 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm

Detail: FLUIDITY 3 / 4

FLUIDITY 4 (2021): woodcut and water color on oil painting, 125 x 169 cm

FLUIDITY 4 / 3 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm

FLUIDITY 3 (2021): woodcut and water color on oil painting, 125 x 169 cm

Fluidity 3 / 5 / 4 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm / 170 x 110 cm

Detail: FLUIDITY 4

FLUIDITY 2 (2021): Woodcut and watercolor on oil painting, 120 x 182 cm

TOTEMETOT (2022): Wood, Fure, Stones, clothes, plastic chains, satin, cables, linen, 250 x 260 cm

SOMEONE I WILL KNOW ONE DAY (2021): Packaging material, carpet, rusty pipes, floor paint on canvas

Exhibition view: 180 Assembly, Zürich, PLANET SYMBIOTICA (2022)

WOMEN AT HOME (she has seen better days) (2022)

Exhibition view: 180 Assembly Zürich, SEIDENMUTTER, SYMBIOTIC BEING 1 (2022)

WOLKE 1 / 2 (2021): Mixed media, 150 x 190 cm / 190 x 150 cm

TRANSFORMATION (2019): Silk, velvet, concrete, dye, chinese ink, stitched hemp

TOTENKLEID (2023): Embroidery

TOTENKLEID (2023): Embroidery

Detail: TOTENKLEID (2023)

Exhibition view: Stitches. Home as Composition, Krone Couronne, Biel/Bienne, #amazingsunset 1-9, embroidery on stramin (2021-22) ©Nicolas Delaroche Studio

DISSOLVED 1 (2018)

DISSOLVED 1+2 (2018/2019): Wool on jute, acryl

BLACK & BLUE (2019): Stitched cotton on stramin

VOLCANO 1 (2018)

VOLCANO 2 (2018)

HOUSE ON A ROCK 1 (2018): Stitched cotton on stramin

PESCHIERA DEL GARDA (2022): Wood, fabric, Acrystal, egg tempera (detail)

TWENTY LAYERS WHITE AND BLACK, ALTERNATING 2 (2021): Gesso, Indian ink on canvas

TWENTY LAYERS WHITE AND BLACK, ALTERNATING 1 (2021): Gesso, Indian ink on canvas

PYTHIA & PENELOPE (2020) (linke Seite Nathalie Diserens, rechte Seite Esther Haldemann)

Detail PYTHIA & PENELOPE (2020)

Installation view: AKKORD, (2020), PAPERWORK / Zürich Manegg

Wiedereröffnung KÖRPER.BADEN.FLOW, Bad im Raben, Baden. New edition of GUTTATIM (2020)

Installation view Softening the Margin: FLOORPRINTS (2016): Chinese ink on paper

Installation view Softening the Margin: FLOORPRINTS (2016): Chinese ink on paper

FLOORPRINTS (2016): Chinese ink on paper

PLANET SURFACE (2016): Concrete, pigments

ENTER THE WALL (2016): Wood Polyester, acrylic paint

AYATTALU (2016): Digitalprint, A3

DUKTELLEB (2016): Digitalprint, A3

FRAMMY (2016): Digitalprint, A3

WADRAIATI (2016): Digitalprint, A3

BARACCTI (2016): Digitalprint, A3

LE CARCAGNOU (2024): Oil on canvas, 20 x 25 cm

GEISTMASCHINENMENSCH (2023): Oil on canvas, 20 x 25 cm

BESCHÜTZEN (2023): Oil on canvas, 20 x 25 cm

SCHUTZPFLANZE (2023): Oil on canvas, 20 x 25 cm

VERSCHMELZUNG UNTER DREI MONDEN (2023): Oil on canvas, 20 x 25 cm

HAUS DER FREUDE (2023): Oil on canvas, 20 x 25 cm

RED SOMETHING TAKING SHAPE (2022): Oil on canvas, 30 x 40 cm

Installation view: ANCESTOR (2019), JULIA, Zitrone Manegg

UV-Farbe mit Schwarzlicht, 2019

10 SECOND DRAWINGS (2019): Chinese ink on loktapaper

CACTUS AND POOL (2015): Oil on canvas 50 x 55 cm

GREEN POOL (2015): Oil on wood, 35 x 20 cm

SEVEN LEAN YEARS / SEVEN FAT YEARS (2016): Oil on canvas, 200 x 110 cm

UNTITLED SMALL (2017): Concret, pigments, charcoal

UNTITLED (2017): Concret, pigments, charcoal

VERSTEINERTE EXPLOSION (2014): Plakatcollage, Dispersion auf Holz (sold)

SCHWARZER BÄR (2017): Woodcut, oil color

GRIZZLY (2016): Öl auf Holz

ERSCHEINUNG DES BÄREN (2015): Watercolor on paper

STEINSCHLANGE (1993): Carrara Marmor

Detailansicht: STEINSCHLANGE