EISERNES HAUS (2023): Fabric, padded blanket, faux leather, 170 x 170 cm

SUBLIME FUCKED UP FUTURISM (2023): Oil on canvas, 100 x 160 cm

Exhibition view: LE RACINAGE (2023),GK3, Zürich. Exhibition and performance with Elzara Oiseau

Site specific work at Waschraum, SBB Werkstätten, Zürich: WALL SCAR (2023): Wood, textiles, Acrystal, egg tempera

RISE AND FALL (2022): Embroidery, paper, oil on canvas, 150 x 190 cm

UNTITLED (2022): Mixed media

FLUIDITY 3 (2021): woodcut and water color on oil painting, 125 x 169 cm

TOTENKLEID (2023): Embroidery

Exhibition view: Stitches. Home as Composition, Krone Couronne, Biel/Bienne, #amazing sunset 1-9, embroidery on stramin (2021-22) ©Nicolas Delaroche Studio

PROCREATION OF THE TRICKSTER / DOUBLING OF THE TRICKSTER (2021): Oil and pastels on linen, 120 x 170 cm

TOTEMETOT (2022): Wood, Fure, Stones, clothes, plastic chains, satin, cables, linen, 250 x 260 cm

Someone I will know one day (2021): Packaging material, carpet, rusty pipes, floor paint on canvas

Exhibition view: 180 Assembly, Zürich, PLANET SYMBIOTICA (2022)

WOMEN AT HOME (she has seen better days) (2022)

Exhibition view: 180 Assembly Zürich, SEIDENMUTTER, SYMBIOTIC BEING 1 (2022)

Wolke 1 / 2 (2021): Mixed media, 150 x 190 cm / 190 x 150 cm

Installation view: ANCESTOR (2019), JULIA, Zitrone Manegg

TRANSFORMATION (2019): Silk, velvet, concrete, dye, chinese ink, stitched hemp

VERGANGENHEIT, GEGENWART, ZUKUNFT UND ZURÜCK (2023): Oil on canvas, 20 x 25 cm

HAUS DER FREUDE (2023): Oil on canvas, 20 x 25 cm

TIERMENSCHENPFLANZE (2023): Oil on canvas, 20 x 25 cm

GEISTMASCHINENMENSCH (2023): Oil on canvas, 20 x 25 cm

HAUS DER HÄNDE (2023): Oil on canvas, 20 x 25 cm

ZERTEILT UND VERWANDELT (2023): Oil on canvas, 20 x 25 cm

SUBLIME FUCKED UP FUTURISM (2023): Oil on canvas, 100 x 170 cm

PROCREATION OF THE TRICKSTER (2021): Oil and pastels on linen, 120 x 170 cm

DOUBLING OF THE TRICKSTER (2021): Oil and pastels on linen, 120 x 170 cm

YELLOW MONSTER (2022): Oil on canvas, 30 x 40 cm

TWO TREES AND THTEE SPRINGS (2022): Oil on canvas, 30 x 40 cm

A SPRING AND SUCCULENTS (2022): Oil on canvas, 30 x 40 cm

RED SOMETHING TAKING SHAPE (2022): Oil on canvas, 30 x 40 cm

MEXICO (2021): Oil on canvas, 190 x 150 cm

ARCHIVE I (2021): Oil on canvas, 70 x 40 cm

ARCHIVE II (2021): Oil on canvas, 70 x 40 cm

ARCHIVE III (2021): Oil on canvas, 70 x 40 cm

ARCHIVE IV (2021): Oil on canvas, 50 x 40 cm

ARCHIVE V (2021): Oil on canvas, 70 x 40 cm

VIEW TO THE WEST (2020): Oil on canvas, 150 x 190 cm

CATCHING (2020): Oil on canvas, 150 x190 cm

EMBRYO (2020): Oil on canvas, 190 x 150 cm

CARRYING (2019): Oil on canvas, 190 x 150 cm

THE ABSENCE OF THE WILD (2018): Oil on canvas, 190 x 150 cm

BETONPFLANZEN, oil on canvas, 100 x 160 cm, 2015

SEVEN FAT YEARS (2016): Oil on canvas, 110 x 200 cm

Seven Lean Years / Seven Fat Years (2016): Oil on canvas, 200 x 110 cm

PERU POOL (2014): Oil on wood, 110 x 170 cm

GREEN POOL (2015): Oil on wood, 35 x 20 cm

CACTUS AND POOL (2015): Oil on canvas 50 x 55 cm

DICHTE BESCHREIBUNG 1/2/3 (2023): Woodcut and Watercolour on oil painting, 72 x 102 cm

FLuidity 1 (2021): Woodcut and watercolor on oil painting, 120 x 190 cm

Fluidity 3 / 4 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm

Detail: FLUIDITY 3 / 4

Fluidity 3 / 4 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm

FLUIDITY 3 (2021): woodcut and water color on oil painting, 125 x 169 cm

Fluidity 3 / 5 / 4 (2021): Woodcut and watercolor on oil painting, 125 x 169 cm / 170 x 110 cm

Detail: FLUIDITY 4

FLUIDITY 2 (2021): Woodcut and watercolor on oil painting, 120 x 182 cm

TOTENKLEID (2023): Embroidery

TOTENKLEID (2023): Embroidery

Detail: TOTENKLEID (2023)

DISSOLVED 1+2 (2018/2019): Wool on jute, acryl

BLACK & BLUE (2019): Stitched cotton on stramin

VOLCANO 1 (2018)

VOLCANO 2 (2018)

HOUSE ON A ROCK 1 (2018): Stitched cotton on stramin

PESCHIERA DEL GARDA (2022): Wood, fabric, Acrystal, egg tempera (detail)

Twenty layers white and black, alternating 2 (2021): Gesso, Indian ink on canvas

Twenty layers white and black, alternating 1 (2021): Gesso, Indian ink on canvas

Pythia & Penelope (2020) (linke Seite Nathalie Diserens, rechte Seite Esther Haldemann)

Installation view: Akkord, (2020), PAPERWORK / Zürich Manegg

Wiedereröffnung KÖRPER.BADEN.FLOW, Bad im Raben, Baden. New edition of GUTTATIM (2020)

Installation view: GUTTATIM (2020), KÖRPER.BADEN.FLOW, Bad im Raben, Baden

PLANET SURFACE (2016): Concrete, pigments

ENTER THE WALL (2016): Wood Polyester, acrylic paint

Installation view: Softening the Margin (2016): Chinese ink on paper

Installation view: (2016): Chinese ink on Installation view: Softening the Margin (2016): Chinese ink on paper

FLOORPRINTS (2016): Chinese ink on paper

AYATTALU (2016): Digitalprint, A3

DUKTELLEB (2016): Digitalprint, A3

FRAMMY (2016): Digitalprint, A3

WADRAIATI (2016): Digitalprint, A3

BARACCTI (2016): Digitalprint, A3

UV-Farbe mit Schwarzlicht, 2019

10 SECOND DRAWINGS (2019): Chinese ink on loktapaper

UNTITLED (2017): Concret, pigments, charcoal

UNTITLED (2017): Concret, pigments, charcoal

UNTITLED (2017): Concrete, watercolor on wood

GEHIRNE (2017): Concrete, chinese ink on wood

GREEN DUO (2017): Concrete, pigments

BLUE (2017): Concrete, pigments, chalk

VERSTEINERTE EXPLOSION (2014): Plakatcollage, Dispersion auf Holz

BLACKBOX (2014): Plakatcollage, Öl auf Holz

BERG (2016): Pencil on charcoal, polyester

FIRE (2014): Oil color, pigments on sagex

Schwarzer Bär (2017): Woodcut, oil color

Grizzly (2016): Öl auf Holz

Bärenfell (2015): Tusche auf Leinwand/Holz

Erscheinung des Bären (2015): Watercolor on paper

STEINSCHLANGE (1993): Carrara Marmor

Detailansicht: STEINSCHLANGE